“Affect can circulate, bearing atmosphere-altering tendencies, in material remains or gestic/ritual remains, carried in a sentence or a song, shifting in and through bodies in encounter. Sara Ahmed, preferring the appellation emotion to affect, writes of emotion as sticky. A viscosity that does not sediment in a body as singular nor exist as completely contained, stickiness is a leaky, even fleshy descriptor suggestive of touch (and being “touched” or “moved” become monikers of affect that signify a between bodiness and between objectness or between materialities of emotion that can jump, or travel, in time as well as space)”.
– Rebecca Schneider Performing Remains (2011)
2.<p><a href=”https://vimeo.com/122701852″>Performance Response to / Soiled / Jamie McMurry / Weds 18th March</a> from <a href=”https://vimeo.com/user8115909″>Harry Wilson</a> on <a href=”https://vimeo.com”>Vimeo</a>.</p>